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" "From whom?" vociferated Trenchard. He too was flushed and ruffled; one side of his collar had slipped from its stud and he held a hand to the corner of his jaw. A hush descended across the audience as instruments tuned, creating small ladders of fifths that collapsed abruptly, snatches of solos that disappeared and reappeared like gags in a house of mirrors. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. You can enjoy him and then drink him up. But I found it no laughing matter, I can assure you. I do not think that I have the Bohemian spirit at all. "If you doubt my word, woman," replied the carpenter's wife, coldly, "ask Mr. "You shall not pass," cried several of the crowd. ” “Well?” “Lunch! I am hungry—tragically hungry. He was even a little jealous of Sebastian. “If I am to turn you into a vampire, she cannot know.

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