Paris, 18. They would be partners only in loneliness. The program was to include a Bach cantata, her favorite piece from Rimsky-Korsakov’s Scheherazade, and for the first time ever, a student composition, a Concerto, by a precociously talented fellow student named Martin Chen. Why? If she had put the query to herself, she could not have answered it. "A capital instrument for my purpose," thought Jack, shouldering it, "and worth all the trouble I have had in procuring it.
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