"There is something in The Tale of Two Cities that is wonderful," she said. We've got to make him take up the harp of life and go twanging it again. She almost laughed, but repressed her smile lest it seem cruel. “Exceptionally so. Kneebone begged him to take the prisoner into the churchyard. ’ ‘She?’ scoffed Martha. Now," he added, as his commands were reluctantly obeyed, "help me on with them. Of what use was the temporary set-back to memory, when it always returned with redoubled poignancy? Then came another thought, astonishing.
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