It is Anna again who stands between me and ruin. Her father—man of rock—had never needed her, whereas Hoddy, even if he did not love her, would always be needing her. There was a short, red-faced, resolute youth who inherited an authoritative attitude upon bacteriology from his father; a Japanese student of unassuming manners who drew beautifully and had an imperfect knowledge of English; and a dark, unwashed Scotchman with complicated spectacles, who would come every morning as a sort of volunteer supplementary demonstrator, look very closely at her work and her, tell her that her dissections were “fairish,” or “very fairish indeed,” or “high above the normal female standard,” hover as if for some outbreak of passionate gratitude and with admiring retrospects that made the facetted spectacles gleam like diamonds, return to his own place. Everywhere there are limitations.
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