CONTENTS CHAPTER PAGE I THE CARPET-KNIGHT AND THE 7 LADY II THE ADVENTURE OF ANNABEL 15 III ANNA? OR ANNABEL? 20 IV THE TEMPERAMENT OF AN 26 ARTIST V “ALCIDE” 31 VI A QUESTION OF 36 IDENTIFICATION VII MISS PELLISSIER’S SUSPICIONS 41 VIII “WHITE’S” 45 IX BRENDON’S LUCK 54 X THE TRAGEDY OF AN 61 APPETITE XI THE PUZZLEMENT OF NIGEL 66 ENNISON XII THE POSTER OF “ALCIDE” 70 XIII “HE WILL NOT FORGET!” 76 XIV “THIS IS MY WIFE” 81 XV A MARRIAGE CERTIFICATE 89 XVI THE DISCOMFITURE OF SIR 96 JOHN XVII THE CHANGE IN “ALCIDE” 103 XVIII ANNABEL AND “ALCIDE” 109 XIX “THIS IS NOT THE END” 115 XX ANNA’S SURRENDER 121 XXI HER SISTER’S SECRET 126 XXII AN OLD FOOL 134 XXIII MONTAGUE HILL SEES LIGHT AT LAST XXIV A CASE FOR THE POLICE XXV THE STEEL EDGE OF THE TRUTH XXVI ANNABEL IS WARNED XXVII JOHN FERRINGHAM, GENTLEMAN XXVIII THE HISSING OF “ALCIDE” XXIX MONTAGUE HILL PLAYS THE GAME XXX SIR JOHN’S NECKTIE XXXI ANNA’S TEA PARTY XXXII SIX MONTHS AFTER 138 144 150 156 162 169 174 178 183 188 ANNA THE ADVENTURESS Chapter I THE CARPET-KNIGHT AND THE LADY The girl paused and steadied herself for a moment against a field gate. ' But I don't value that, because I think it applies to one who marries a widow with encumbrances; and that's not my case, you know. “You might at least,” she murmured, “have invented a more romantic reason. But it was of no avail. She added extra chocolate powder to disguise the bitterness of the pill. ” Anna got up and looked at the mirror and then at the poster. It had been part of her wedding trousseau, a gift from her family to his. Perhaps you'll next inform us why you have occasioned this disturbance. "Spare him!" cried Mrs, Sheppard, who fancied she had made some impression on the obdurate breast of the thief-taker,—"spare him! and I will forgive you, will thank you, bless you. . " The cost of the building exceeded seventeen thousand pounds. At last she glanced at a little clock in the corner of the room, and sprang to her feet. " "I see through your design, Jack," returned the carpenter, gravely; "but I don't like under-hand work.
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