The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. After a certain amount of manœuvring, however, he was induced to crawl around, and in a few minutes came to stop again before a tall brightly-painted house, which seemed like an oasis of colour and assertive prosperity in a long dingy row. As the novel grew Ruth was astonished to see herself enter and dominate it: sometimes as she actually was, with all her dreams reviewed—as if he had caught her talking in her sleep. Now lend me your own hand.
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